Y u no Mamaleek
Music @lemmy.world Fredrik Thordendal's Special Defects — Sol Niger Within
Music @lemmy.world Scorn — Greetings from Birmingham
Music @lemmy.world James Chance & The Contortions — Buy
Music @lemmy.world Funki Porcini — Conservative Apocalypse [2016, techno]: music video
Music @lemmy.world Praxis — Sacrifist
Music @lemmy.world Funki Porcini — Incredible Thing [2013, downtempo / breaks]: music video
Music @lemmy.world Funki Porcini — How Banking Works (aka Belisha Beacon)
Music @lemmy.world John Zorn — Naked City
Music @lemmy.world Señor Coconut — Showroom Dummies [1999, electrolatino]: cover of Kraftwerk
Music @lemmy.world Painkiller — Guts of a Virgin
Music @lemmy.world The Golden Palominos — The Golden Palominos
Music @lemmy.world Faye Wong — Dreams [1994, from Wong Kar-wai's film ‘Chungking Express’; alt-rock]: cover of The Cranberries
Music @lemmy.world Massacre — Killing Time [1981, 1993 reissue with additional tracks; experimental rock / improvisation / jazz fusion]: a precursor to math-rock
Music @lemmy.world Alanis Morissette — Eight Easy Steps (Thick Dick Filter Mix)
Music @lemmy.world Atheist — Elements
Music @lemmy.world Yoko Ono — Walking on Thin Ice (1985 promo only re-edit)
Music @lemmy.world Needle Play — Death by Dying [2020, mathcore / jazzcore]: the ‘Eating the Rich’ track is a recent addition and isn't properly a part of the album
Music @lemmy.world Pupsi — Africa (sweet potato & squash cover of Toto)
Music @lemmy.world Le Scrawl — Live at Obscene Extreme Fest 2011
Music @lemmy.world DJ Sharpnel — Yonderdome Decade: 10 Years of DJ Sharpnel [2011, j-core / gabber / happy hardcore]: a ‘best of’ mix from the pioneers of anime-sample-laden hardcore



















From what I understand, typically audio compression has about 20 ms of ramp-up, though it can be theoretically lowered about ten times — not sure how well it would work in that case, though. Consider that aural reaction speed is apparently way better than visual, wherein the latter is on the order of 200 ms. As is confirmed by musicians hearing a lag of around 15 ms. This leads me to believe that human hearing would probably pick up the shots sound before noise cancellation kicks in, otherwise the cancellation is too sensitive for anything else to be heard.
Of course, this skips the most important aspect of, how much sound pressure would be dangerous to one's ears with different kinds of protection — with which I'm not versed at all.