It really depends on the directions from the audio team, because often we’ll do a few takes and you need stamina for up to two hours in the booth for ADR. You can’t just go hard and fast expecting to get it right the first time. You’ll hurt your ring if you push too hard (good life motto). I’d probably do four tins of cannelini MINIMUM for an action flick, explosions bwaaa and thunder and the like. But for something with a bit more subtlety nuance and je ne ses quois I’ll have a smattering of adzuki beans sweet but with some timbre for soft sighs in a romance film, rustling of the wind through bean stalks. People know me for the bwaaa but I’ve got dynamic range for all types of films and moods