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InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)U
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3 yr. ago

  • The real competency porn in Darmok is in the writing. Picard doesn't just learn the alien's strange way of communicating, the audience learns it along with him. It has the same ending as The Big Goodbye, with Picard striding onto the bridge and saying the exact right thing as no one else could, but this time we clearly understand the entire nonsense exchange. It's just perfectly done.

    Saru actually has a similar moment of linguistic badassery in Discovery, not the episode's climax or anything, but it contributes to how much I appreciate his character as well.

  • Well, Kirk did slap Trelane.

  • The Enterprise (1701)

  • But it just looks unprofessional to me in the captain’s chair.

    That's what I love, though. A boss today might feel the need to cultivate a "professional" work environment to maintain discipline among their underlings, or to appear trustworthy to their clients.

    Ake doesn't doesn't need to worry about discipline among her officers. They aren't working for a paycheck, they're there because they feel a calling and a duty to be there. She trusts them implicitly, and is confident enough in having their respect that she can enjoy her time on her bridge. And her "clients" are university age kids, who generally don't respond to the pomposity of performative professionalism.

  • I chill in chairs like that all the time. It’s comfy. Don’t be so self conscious you let schoolgirls have all the fun.

  • There you go, accusing people of being sexiest and racist just because they have a meltdown every time some piece of media prominently features a woman or person of colour. I’m sure it’s just a highly predictable coincidence.

  • Riker happily slapped his ass down in the weapons console so he could chat up the prettiest subordinate on duty. Not sure why we’re suddenly supposed to be pretending Trek ever maintained a stern and solemn work environment.

  • Movie: Ghostbusters Answer the Call.

    If anyone's giving it a chance for the first time, I do recommend the extended edition. For some reason the theatrical cut out the low point of the relationship arc between the two main characters.

    I don't think all the humour lands, but enough of it does, and the movie has a good heart. At the very least it remembered that Ghostbusters is a comedy. The new movies have the same flavour as every Marvel superhero outing.

  • Yeah, the effects are definitely not great. Over the years I’ve seen a couple fan attempts to redo them, it’s kind of nice to watch those from time to time.

  • I love every TOS movie, though of course none of them are perfect. I find a lot less to love by the second half of the TNG films. But my own bias has always been towards the original series.

  • I love TFF. In fact, I call it a big step up from TVH. My mind will not be changed.

  • Saved me from having to look up the episodes where that happened, nice.

  • You’re right, that’s the model they landed on by TMP. I meant to say it resonates with Jeffries’ original concept that the engines were just too dangerous to be near the ship, which I always preferred. And who’s to say 32nd century ships don’t have power plants in the nacelles themselves, like a lot of early fandom assumed in the days of TOS? It would make sense if they’re completely separate now. (I know we saw Discovery with a central warp core after its refit, but Discovery is a bit of a special case).

  • I like the detached nacelles. It's nice to have at least a few clear indicators that technology has advanced in the 800 years since TNG. And it seems like a logical extension of the idea that the nacelles are these big dangerous things that needed to be kept separate from the living spaces and easily jettisoned.

  • OK, I've seen the images in the other thread now, and I'm seeing much more convincing evidence of AI generation there.

    Like, everything about these arms looks wrong: https://imgur.com/DiRNxEY

    And these shadows are just nonsense: https://imgur.com/TMZY25V

    Honestly, I'm personally not too bothered if a background prop you're not supposed to get a good look at is made with AI, but I'm also not going to argue with anyone who takes a real hard line on the subject.

  • I’m really not seeing any obvious AI tells. It looks to me like it was drawn and inked traditionally, and then someone dropped in the little flares to up the cheese factor (and maybe give a little reference to JJ). I may be wrong, it’s getting hard to tell these days, but to me it just looks like someone trying to emulate a very typical comic book style.

  • Season 3 really did her a disservice. Hopefully the writers got their heads back in the game for the back half of the show.

  • The fifty-fifth entry in the Star Trek film franchise, in which the Enterprise Y returns to the centre of the galaxy to enlist the God Thing’s aid in defeating the Borg King. He redeems himself and becomes Captain Kirk the Fourth’s new yeoman, a real full circle moment.

  • Voyager’s bridge really was sweet. Love the enormous navigator’s console. Don’t know how practical it is, but it sure conveys that this is a maneuverable little sonuvabitch.

  • TenForward: Where Every Vulcan Knows Your Name @lemmy.world

    The Real Thing