Is that Vermeer reference? i hope I’m not embarrassing myself by thinking that. Ha h
Is that Vermeer reference? i hope I’m not embarrassing myself by thinking that. Ha h
I do like to use textured brushes but here, it’s sorta deliberate. I wanted to do this type of chaotic and broken gradient of values.
Thanks!
thank you!
So it’s not hot anymore
ha nice! Familiarity brings out warmth, I think.
I strayed away from the reference image a little bit, I wanted a bit of typical Eastern look.
I saw your posts, especially Sam L.J portraits, made me envious actually, cool work.
yeah, in a sea of AI garbage, I like to see people do something just for the pleasure of doing it. that’s why I participate.
that’s a high praise, lol. I’m getting there though
thank you!
where? in the snowy part? it wasn’t deliberate, lol.
yes, absolutely. I need to build patience for landscapes where a lot is going on. Each part is effecting other but still an individual thing so their relationship gets tricky for me. Happy to hear your feedback. I appreciate it!
thank you!
haha, no. It’s just lack of commitment, I wasn’t sure where I wanted to keep the focus so everything came haphazardly. When I see finished art pieces on the web, artists usually mention the time they spent on it. It’s like 10, 12 hours sometimes. I sort of give up after 2 hours. Very rarely I paint for 3 to 4 hours and difference is noticeable in those pieces.
lol, not like Van Gogh, poor soul had been dealt with a very difficult life.
I agree with you assessment. Consistency in detail is an issue here. I changed my mind few times while painting it, whether to make the details loose or closely knit.
Thank you!
Thank you for nice words. I look forward to more feedback as I share my future drawings here.
Thank you! If the laptop screen has pressure sensitivity, and came with a stylus, you are golden. I use krita on desktop, with a graphic tablet. It’s a Huion, i don’t know the dollar price but it was cheap and it’s quite decent. You may have a lot of software choices like Photoshop, Clip Studio Paint etc but I’m on Linux so Krita is the best option for me.
As for the painting process, I just rely on observation and constant failing. If you put enough wrong brushstrokes, happy accidents begin to happen eventually. Learning a little bit about values, blocking and colour theories is a good starting point.