lemon stealing whores …

Dare I ask for context?

The truth is they didn’t drop it, because a carbon tax was never a Labor policy. Both Rudd and Gillard presented emissions trading schemes to Parliament. The difference was in the details of those ETSes, with Rudd’s being estimated by his own treasury modelling to not result in any decrease in emissions until 2035. That’s why the Greens pushed back and later worked with Gillard to pass a much better ETS that actually showed a decrease from day one.

Salad? Wtf is salad?

Sincerely, Queensland

He’s lucky to have gotten anything. Usually you can kill people in a car and get away without any charge.

My theory is that it’s because people who are into it must be really into it, but people who aren’t into it are very good at ignoring the fact that it’s titled like that or that there might be one or two throwaway lines implying it (especially when it’s “step”). So there’s an incentive for uploaders to title things like that and for creators to add a little nod in the video towards it (without adding too much incest roleplay) because it draws in a large audience and actively turns away very few.

For the non-Americans in the audience, what is White Claws?

the Fire Protection Industry. They reap millions in licence fees. You’d think they could afford a proof reader

No, this makes sense. What a whales famous for? Their water spout! It’s a new fire protection technique being tried by the New South Whales government.

Wait, puppy play would get you banned? Isn’t that just, like, wearing funny ears and walking around on hands and knees or whatever? Maybe at most a tail buttplug? I don’t really get the appeal myself, but it seems pretty damn benign.

I can’t imagine buying a porn game on Steam. And even if I did, incest holds no interest to me.

Even so, I absolutely fucking hate this crap. Payment processors are killing off content despite the producers and consumers of the content being completely fine with it. This should be a Net Neutrality issue. But I’m not seeing anywhere near the same outrage over it that there was over ISPs doing the exact same thing.

Maybe she’s just an urbanist? !fuckcars@lemmy.world

More often than not I’ve seen these metal guard rails put between the road and the footpath, to be honest.

To be a little more precise, it’s not that Lemmy “defends Nazis”, it’s that some of the mods on lemmy.world (and possibly the admins of lemmy.world) take a ridiculously extreme view of the rules on not condoning violence. According to some of these mods, even saying “[blank] should be punched” is against the rules, no matter what the [blank] is.

It’s one of the reasons a lot of people recommend avoiding lemmy.world when possible, and sticking to more niche instances like sh.itjust.works, Blahaj, and the various national instances.

Plenty of mods here on Lemmy who’ll do the same…

Mainly on your home instance, too.

So, I just finished writing a rather lengthy comment about why you’re so obviously wrong to say it’s not about Gaza.

But I did also add that there are other equally valid possible interpretations because it’s about applicability and metaphor, not direct allegory. Even so, I find your attempts here to compare it to China to be rather tenuous. The fact that the country produces “silk” and did a massacre is pretty much the only parallel. To me, the silk thing is more about adding to the obvious aesthetics of WWII French Resistance, with the silk thing tying in to France’s famous connection to high fashion. I’d say the fact that Tiananmen Square was crushing an internal resistance, while on Ghorman, as well as in both WWII France and in Gaza it’s outsiders seeking to invade and kill the locals, makes the Chinese connection especially weak.

They look pretty much the same in terms of skin tone. It’s not whites vs browns. They all just look Mediterranean

Who? Israel’s dominant sociopolitical group are Ashkenazi. They’re white. Pretending it’s Mediterraneans vs Mediterraneans is playing into the Israeli lie that Jewish people are the true native people in Canaan and everyone else is an outside invader. When in reality some Jews are native to the area, just as the Palestinians are. But certainly not the 20th century neocolonial supremacist state of Israel.

You’re misunderstanding the post. Yes, the reality of maths is that the integral is an operator. But the post talks about how “dx can be treated as an [operand]”. And this is true, in many (but not all) circumstances.

∫(dy/dx)dx = ∫dy = y

Or the chain rule:

(dz/dy)(dy/dx) = dz/dx

In both of these cases, dx or dy behave like operands, since we can “cancel” them through division. This isn’t rigorous maths, but it’s a frequently-useful shorthand.

The operand is the target of an operator

Correct. Thus, dx is an operand. It’s a thing by which you multiply the rest of the equation (or, in the case of dy/dx, by which you divide the dy).

The Ghorman Massacre was even in the new continuity as of (at least) the 2017 Rebels episode Secret Cargo.

And in Andor, the aesthetics were obviously drawing on the French Resistance in WWII.

But this doesn’t mean the parallels to Israel and Gaza were not there. The “history repeats” aspect might be part of it, but because this was the first time the Ghorman Massacre was portrayed on screen in current canon, they had considerable leeway in how they told the story, what events framed it, and what parallels they were trying to draw.

There’s a reason they chose to rewrite Mon Mothma’s speech in the Senate from the one shown in Rebels, and that is that they wanted it to tell their message. They chose to frame it as a genocide that the overall population is wilfully ignoring. They chose to have disinformation campaigns coming from those in power which present the Ghormans not as the oppressed group of freedom fighters that they truly are, but as terrorists receiving aid from outside. They chose to show the Empire as willing to deliberately kill their own and have it blamed on the “terrorists”. Heck, they chose to place it in a place specifically called, as @Objection@lemmy.ml notes, the Ghorman Plaza.

Still, even if it is directly informed by the Gaza genocide itself, it’s obviously not meant to be a perfect allegory. It’s meant to be broadly applicable to all sorts of freedom fighting against oppressive authoritarian states.

To quote the grandfather of the very genre in which Star Wars as a franchise* sits:

I much prefer history – true or feigned – with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and the other in the purposed domination of the author.

La mort de l’auteur. The best literature can be applied to a wide variety of real-world situations, depending on what the audience’s personal history is and which elements of the art they choose to concentrate on. So the Zionists look at the WWII French aesthetics and cling to that desperate to ignore the parallels to the crimes they themselves are complicit in. The most literate audience brings their own perspective, but also opens themselves up to hear other perspectives, and thus sees that there are multiple possible readings. The narrow-minded audience picks their interpretation and uses it as a reason to reject others.

* I would argue that Andor as a show is really a political thriller and science-fiction. But the core movies and most of the animated shows are fantasy.

“operative” instead of, uh, something else

I think they meant “operand”. As in, in the way dy/dx can sometimes be treated as a fraction and dx treated as a value.