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MolotovHalfEmpty [he/him]

@ MolotovHalfEmpty @hexbear.net

Posts
13
Comments
524
Joined
6 yr. ago

  • As others have pointed out, there's lingering resentment from the cold war, general Russophobia, and the villification of any nation that doesn't allow itself to be entirely subsumed by western (American) capital and military hegemony.

    It was also supercharged after 2016, when liberals with needed a non-material reason to explain how the US elected Trump and the UK voted for Brexit, that didn't either A) blame liberal 'centrism's total failure to improve or even maintain people's material conditions or B) reveal uncomfortable truths about the power structure and institutions of so called 'western liberal democracies'.

    But even before those seismic shocks to the liberal worldview, primarily British & American intelligence services had begun spinning up a broad network of new cutouts and propaganda arms focused on reviving Russia as a threat to discredit potential left political resurgence and to further control online discourse and media. The first half of the 2010s saw a quiet proliferation of these organisations, almost all with US/UK military/intelligence funding, pulling from Russia-hawk NATO academics, and building vast networks of uncritical propagandist journalists across the west.

    To the degree that any of these groups had a public face, they were presented as 'anti-disinformation' organisations, focused on providing training to journalists and media figures. I practice they were a mechanism to build more formal international networks of friendly journalists to push US/UK deep state narratives and smear any opposing narrative as Russian disinformation. Journalists received payments, grants, training, exclusive access to state sources, and we're even provided a steady stream of stories in exchange for their work going after politicians, media figures, and other journalists deemed unfriendly to smear them as Russian assets.

    Perhaps the most publicly famous of these groups (at least in the UK and Europe) was the Integrity Initiative. A subsidiary of the UK military funded Institute for Statecraft, it played a major role in smearing Corbyn's labour party, infiltrating a supposedly new independent left media including Novara (primarily via crank Paul Mason), but also interfering in the democratic affairs of multiple European countries including Norway, Moldova, and Greece, whilst building a broader smear campaign against most European 'left' parties as Russian assets or 'useful idiots'. It built a narrative, and a body of international 'journalistic' work that could reference each other as evidentiary despite all coming from the same secretive source, that anything from Asia-European diplomacy to unassailably factual documents planning the privatisation of the British NHS could be considered as a pro-Russian threat.

    It was exposed in the UK through a combination of investigative journalism, email hacks released under the 'Anonymous' group name (which is meaningless as an identifier, but that's another issue), and a number of lawsuits here in the UK. Primarily though, Integrity Initiative overplayed it's hand as it went all in on destroying Corbyn and a resurgent left electoral movement. It's network of journalists were too eager to claim credit for their role thwarting this new threat in media party circles. Guardian journalist and II asset Carole Cadwalladr (who ironically was also at the centre of the Cambridge Analytica reporting which she used to burnish her credentials whilst simultaneously muddying that issue) overstepped in smearing conservative and Brexit donor Arron Banks as a Russian stooge, who then sued her for defamation where more information about II was made public in discovery. And critical independent journalists discovered that the organisation was supposedly an above-board Scottish charity, but it's registered address was a dilapidated water mill and many of its scarce registered details were either fraudulent or deeply suspicious.

    Russiagate, shifting Brexit blame from the primarily US/UK/Saudi government and tech/social media dark money, and Ukraine war propaganda all came later and supercharged it, but the network for it had already been built. And it's had more than a decade to seed, grow, and expand. Further fuelled by what's now literal billions being spent by the US on countering 'foreign narrative threats' online, never mind the strategic placement of open intelligence assets at the top of every major social media company or publishing organisation under the guise of moderation and safeguarding. And that doesn't even take into account the wholesale capture of outliers like TikTok, first by Oracle and now by it's new private owners and IDF 'advisory' role.

  • So much of the 'game design' for modern live service games is less like game design and more like marketing campaign design.

    Reveals, content drops, surprise reveals, ongoing narrative, roadmaps, engagement drivers etc is much more akin to building sales funnels and advertising strategy, never mind monetisation strategies.

    And the secret to successful marketing is that you need to start with a product that a) people want and b) doesn't suck. Marketing companies like to complicate it, because they get paid for their failures too, but that's the core of it.

    So you can take $100m, five years, and a thousand devs/artists/sound people/writers etc but if 80% of that time and money and effort is spent in pursuit of the sales funnel/advertising strategy type stuff it's gonna take a miracle for you to come up with something more fun and organically engaging than a far smaller project where that was the primary, or perhaps only, goal.

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  • Quick, plug an ethernet cable into your phones!

  • "Dobby's new one elf show looking back at his time with Mr Potter may be light on laughs, but it's an essential commentary on gaslighting, prejudice, and exploitation that is as moving as it is overdue in a post-Voldemort world where the heroes and villains aren't so easy to tell apart. 4 stars."

    • Spellbound Comedy Review
  • I've watched a few of these Doom Scroll interviews when I've gotten recommendations and I still don't really get what the point is. They just seem like very

    interviews with little to no substance. It just seems like yet another attempt to take dull, nebulous 'discussions' about Twitter bullshit (mostly by the same 30 people who all know each other) into a sort of more respectably-skinned, corporate op-ed coded industry for millennial podcasters.

  • These are fair points, although just on the last one (working out what to do in bosses) that got less punishing some time after launch when they allowed for the option not to have things kill you, so you can focus on solutions and atmosphere and general creepy vibes. Not a perfect solution, but useful if that becomes an issue for players.

  • Maybe it's the beers talking Marx but you got a scrit that won't quit. They sell those cute, shakable globes here and... [unintelligible] ...ten euros! Get outta here...

  • Phileas Fogg: So I say to this most esteemed club; I take your wager and shall prove myself to be the victor. Set your timepieces gentlemen and watch, as I circumnavigate the globe in just 80 Days! Starting promptly by hot air balloon from this most esteemed city of London!

    [Passepartout coughs politely and leans in to whisper something tactfully to his enthusiastic employer. Phileas' brow begins to wrinkle]

    Phileas Fogg: [quietly, to Passepartout] Well surely some enterprising business concern would leap at such an opportunity to pioneer in the promotional arts.

    [Passepartout murmers tactfully again]

    Phileas Fogg: Yes, I suppose finding the right sponsor is rather important. One would hate to accomplish such a feat under the banner of a foot powder or some such.

    [Passpartout nods sagely, uttering more apparent detail in an uncatchable French accent]

    Phileas Fogg: [enthusiasm somewhat subdued] Yes, I suppose a proper bidding process would be required to ensure everything is above board. I'd hate for a legal technicality to invalidate our triumpharance. Yes, indeed.

    Phileas Fogg: [to the Reform Club, trying to maintain his previous spirit] For the sake of promotion, let's call the wager around the world in 120 days!

    [Passepartout leans in again, looking slightly sheepish beneath his bowler hat]

    Phileas Fogg: [with dampened agreement] True, I suppose they will want to build excitement and awareness for their promotion amongst the populace. Advertorials and whatnot to get the word out. A campaign of sorts.

    [There are more, somewhat apologetic, French murmurings]

    Phileas Fogg: [nodding but deflated, thoughtful] That's true. I suppose without a planned route our sponsors can hardly be expected to localise the language of their promotion to every possible people and nation we might pass through. And what good is a promotion that people cannot read?

    [Passepartout whispers at length, making gestures with his gloved hands as though explaining a multi step process of some kind]

    Phileas Fogg: [leadened by detail, but trying to remain agreeable] And how long does such a process usually take before the designs are approved, localisation complete, and the whole lot can be sent to whatever talented fellows make such custom balloonary?

    [Phileas listens to Passepartout's surprisingly long answer, crossing his arms as his smile fades and wrinkles appear around his eyes as he considers the realities of such an operation]

    Phileas Fogg: [to the Reform Club, feigning even a lesser level of enthusiasm] I have still taken your wager, but for the sake of sensible business practice, let us be realistic and travel around the world in 200 days!

    [Passepartout coughs again, politely, almost ashamedly as he pulls his boss back from the most recent pronouncement once more. Phileas looks slightly perturbed now, but still listens to the Frenchman's latest murmurs of consequence intently, nodding occasionally despite a despondent look]

    Phileas Fogg: [to Passepartout, mulling whether he is still invested in this idea as he fiddles with his moustache] Yes, yes, I suppose our sponsors would wish us to finish this most astonishing of feats during or just before their busiest sales quarter. They, like anybody, want to feel they've gotten their money's worth I suppose. Hmmm, that would mean doing a considerable portion of the trip across Siberia in October, but I suppose you can pack us some extra winter attire, my good man.

    Phileas Fogg: [to the Reform Club, his demeanor more formal, enthusiasm replaced with burdened pragmatism] I'm sure the achievement will carry just as much weight in the press and in people's hearts if we announce that I will circumnavigate the globe in time to return to the finish line here, in foggy London, sometime in the Holiday Season of 1873.

    [There are murmers of begrudging agreement from the gentlemen of the Reform Club, but the moment feels like it has passed and the enjoyment brought forth by the idea has long since passed into the ether along with so much tobacco smoke]

    Phileas Fogg: [resigned, the prospective task now weighing heavily on him] Now gentleman, if you'll excuse me, I better get started. Passepartout, be sure to pick up my new lettercrest seal from the shop. It seems we have much correspondence to author before the year is out.

  • Adam belongs in the Poster Hall of Fame. The man has been taking apart these ghouls and dipshits with a scalpel since the earliest days of the Gawker comment section and before. The original Kinja Ninja.

  • It's a bit older, but I thought Soma was fantastic.

  • I love everything about this story. This is one of my favourite ever posts on Hexbear.

    The only way it could be better is a Kelly remake of the final comic-ad.

  • This is also more directly a result of Microsoft squeezing every department for more cash to keep the AI bubble inflated. There's no doubt that the overarching success model for GamePass was based on the potential for market monopolisation, but it's the demand for every more cash to go all in on AI that has called time early on that plan.

  • I feel like I've been waiting years to see the perfect post for that emoji and this is it.

  • The quote calling her a kid is from an (older) fellow activist being horrified at having watched the Israeli military mistreat and torture her (because beating prisoners is absolutely torture at its simplest).

    If you think applying smug, semantic pedantry to what is clearly a distressed and emotional quote from a fellow detainee, recounting how helpless she was/is against her military captors, is the important thing here then you need to reassess.

    As a bare minimum, make sure you've actually bothered to read and understand the thing you're complaining about.

  • What's LOTO in this context?

    I only know it as the abbreviation for "Leader of the Opposition" which obviously doesn't make sense here.

  • He's super cute! I would watch the Mumpkins On Mars although I don't know what a 'megawatt film franchise' means.

  • Twelve is a little old for that sort of thing honestly.

  • Very true. Irony isnt the right word. I'm just really fucking over this song and dance and fucking pissed.

  • Exactly. It's bullshit, the people who trot it out every time know it's bullshit, and the irony is that it actually devalues and demeans Jewish lives. Those were fucking people with lives and loved ones, just like every other victim of random violence, not a fucking trite, bullshit talking point that already gets trotted out for everything from Corbyn going to the 'wrong' seder to a comedian being asked to apologise for doing a racist blackface routine. Zionism can't even stop dehumanising it's own supposed 'own', never mind everyone else. It's a cancer that eats everything it comes into contact with.