AI art can be cooped so easily by fascists because the art that feeds the models is overwhelmingly cooptable by fascists. The vast majority of artistic output by volume is absolute slop, and AI art is simply a reflection of that reality.
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I remember side eyeing these parts but I'm more inclined to take the good from the bad and view the totality of the book in relatively favourable terms. I also don't remember it being quite as bad as this post suggests but I'm happy to concede that as my memory isn't as fresh as yours!