During the late 1930s, Lamarr attended arms deals with her then-husband arms dealer Fritz Mandl, "possibly to improve his chances of making a sale".[41] From the meetings, she learned that navies needed "a way to guide a torpedo as it raced through the water." Radio control had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course.[42] When later discussing this with a new friend, composer and pianist George Antheil, her idea to prevent jamming by frequency hopping met Antheil's previous work in music. In that earlier work, Antheil attempted synchronizing note-hopping in the avant-garde piece written as a score for the film Ballet Mechanique that involved multiple synchronized player pianos. Antheil's idea in the piece was to synchronize the start time of identical player pianos with identical player piano rolls, so the pianos would be playing in time with one another. Together, they realized that radio frequencies could be changed similarly, using the same kind of mechanism, but miniaturized.[4][41]
Nuanced thinking is the problem? Nope. Black and white thinking is the problem. Like the black and white thinking you are displaying here, by refusing to parse any policy decisions beyond "he supports genocide". If you can't distinguish between the greater and the lesser evil you'll end up inadvertently supporting the greater evil.
I'm saying if you have a strong caregiver instinct and maybe some experience with babies you'll think it's adorable and if you don't you wont.
And to further clarify, I'm not suggesting that one is better than another. Just that this "happy little face" functions as a projective test to elicit a particular reaction in susceptible people.
That's adorable 🥰
Actually it looks like an infant and so arouses the caregiver instinct;you react as though you would to a baby. It's a test of your character how you react to it.
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."
From the wiki page
During the late 1930s, Lamarr attended arms deals with her then-husband arms dealer Fritz Mandl, "possibly to improve his chances of making a sale".[41] From the meetings, she learned that navies needed "a way to guide a torpedo as it raced through the water." Radio control had been proposed. However, an enemy might be able to jam such a torpedo's guidance system and set it off course.[42] When later discussing this with a new friend, composer and pianist George Antheil, her idea to prevent jamming by frequency hopping met Antheil's previous work in music. In that earlier work, Antheil attempted synchronizing note-hopping in the avant-garde piece written as a score for the film Ballet Mechanique that involved multiple synchronized player pianos. Antheil's idea in the piece was to synchronize the start time of identical player pianos with identical player piano rolls, so the pianos would be playing in time with one another. Together, they realized that radio frequencies could be changed similarly, using the same kind of mechanism, but miniaturized.[4][41]